Hailing from Östersund, Sweden, I have studied at the Royal College of Music, Stockholm, and the Royal Danish Academy of Music, Copenhagen.
In my current work, I explore quiet tension, exposedness and imperfection. I’m fascinated by the grandiosity and intimacy that a “small” music can create. A recent interest of mine is incomplete, unbalanced, or unfulfilled form. This is likely a search for some sort of “sublime imperfection”, in turn, a step in the search for an intimate music.
My works have been performed in the Nordic countries, Europe and the US by among others the Arditti quartet, ensemble recherche, the Keuris quartet, MolOt ensemble, and Norrbotten NEO. My orchestral work Half-light on desolation has been awarded multiple times and my string quartet Plasticity has been selected to numerous festivals. I have also participated in masterclasses with Chaya Czernowin, Kaija Saariaho, Simon Steen-Andersen, among others.